Sony Alpha NEX Cameras and E Mount Lenses

Sony A7S ISO 1600 to 409,600 Let's go eight stops by the campfire.

Sony A7S Overview Michael Bubolo of Sony North America solves the E-mount mystery. E stands for eighteen. Watch the rest of the footage to learn more about the Sony A7S.

Sony A7S High ISO Testing onelonedork aka dslr film noob was at the National Association of Broadcasters (NAB) 2014 Show in Las Vegas and got to play with the newly announce Sony A7S. He boosts the ISO to 80,000 and was impressed with the grainless footage shown on the video screen. Compare the ISO 6400 footage below from the Canon 5d Mark III. Canon 5d Mark III ISO 6400 Footage

Sony A7S in an Unmanned Aerial Vehicle Photo by Den Lennie of fstopacademy Check out fstopacademy's hands on review of the Sony A7s to see the A7s in various shooting conditions including flying in an unmanned aerial vehicle.

Here is the video-centric version of the Sony A7 , the A7S. The S stands for sensitivity with the A7S being able to shoot at ISO 409600, 4 times more sensitive to light than the Sony A7. The A7S can also capture 4k video, via HDMI Output, 4 times the 1080p capability of the A7. The A7S can capture 12mp stills. A new Power Zoom E-mount lens is also in development with the A7S in mind. The A7S will cost the same as the A7 at $1700. Wide ISO sensitivity setting[1] from 50 to 409600 and unprecedented dynamic range World’s first full-frame sensor capable of full pixel read-out without pixel binning process for movie and 4K (QFHD: 3840 x 2160) HDMI video output Professional video functions including XAVC S Full HD recording at 50Mbps, time code and optional XLR audio inputs High ISO sensitivity range allows faster shutter speeds during low light shooting α Mount System compatible with a wide range of high quality lenses, including power zoom lens ideal for movie shooting Improv

DxOMark tests the new Sony 70-200mm f/4 G FE lens on the A7r and finds that it performs well against the competition. This lens would also work great with the fast autofocus of the Sony A6000 with an equivalent field of view of 135-300mm on the aps-c sensor. From the DxOMark review: The Sony’s performance is very good and sharpness levels are very high, and even though it can’t quite match the best in class – the Nikkor 70-200mm f4 - at 200mm, it’s still unlikely to disappoint. Coming bundled with a tripod collar, the Sony even slightly undercuts the rival Nikkor model, making the FE 70-200mm f4G OSS look good value without compromising on quality or practical features. Pre-Order the Sony 70-200mm FE G Lens Sony 70-200mm FE G Lens on the Sony A7 by Berlin Backstage Read the DxOMark review of the Sony 70-200mm FE G Lens here .

Carl Zeiss 32mm Touit Lens on Sony A7r Here are a bevy of autofocus lenses made for the Sony NEX system mounted on the new Sony A7r . The red boxes show a 1:1 or square aspect ratio and a 16:9 aspect ratio. The lenses have rear baffles which were not removed. Most of the prime lenses can provide a square image with a little bit of vignetting. 16:9 images show heavy vignetting, maybe we can extract a 2.35:1 Cinemascope / Panavision image with the A7r's 36 megapixels to play with. Carl Zeiss 12mm Touit Lens on Sony A7r Sony 16mm Pancake with Ultra Wide Adapter on Sony A7r Sony 16mm Pancake Lens on Sony A7r Sigma 19mm Lens on Sony A7r Sigma 30mm Lens on Sony A7r Sony 55-210mm OSS Lens @55mm on Sony A7r Sony 55-210mm OSS Lens @98mmLens on Sony A7r Sony 55-210mm OSS Lens @210mm Lens on Sony A7r